The plan of my research process

As I have talked about my media niche which is crime dramas/anime in the 2 previous blog posts, it is time to start to plan out my research process. There are 3 main elements that I would like to tell in this blog post. 

The key issue of my media niche is “why people like to watch crime dramas/anime even though most of them have miserable, emotional, and other negative scenes”, and this is part of my curiosity even though I also like to watch crime dramas/anime as I mentioned in the first blog post. I believe handling this key issue will be beneficial to understand the depth of the stories behind creating that.

Popular Japanese Detective Dramas 2019 (2019), image, YouTube (https://i.ytimg.com/vi/_NxcmEU6c_U/maxresdefault.jpg)


As the purpose of crime dramas, it is explained as “providing entertainment, rather than to educate, research suggests that people learn about crime from watching television” (Rhineberger-dunn, Briggs & Rader 2016). However, there has not been proved that the audience acknowledges the purpose so this point will be one point of my research. What I would like to state is how much people are enjoying crime dramas/anime. According to Hogan’s report (2019), that talks about how much college students watch and enjoy crime shows, the result of his study shows about 50% of participants answered that they watch crime dramas every week, and about 80% of participants answered that they have ever watched comedic fiction, detective fiction, or courtroom dramas. Based on these facts, I would like to focus on the people who are engaged in the crime dramas/anime industry and the people who like to watch them as the audience. Focusing on these two different types of people will be able to get different reasons, intents, as well as results for my research.

To document my research, it is necessary to understand what OBSERVATION and AUTOETHNOGRAPHY are. It is summarised about what to observe as “the most important is the researcher’s purpose in conducting the study in the first place. In other words, the theoretical framework, the problem, and the questions of interest determine what is to be observed” (Merriam, Sharan, Tisdell, and Elizabeth 2016). Ellis, Adams, and Bochner (2011) defined autoethnography as an approach to research and writing that seeks to describe and systematically analyze personal experience in order to understand cultural experience. To analyse my experience of the field site that I mentioned in the last blog, I am going to use Twitter and Reddit as well as exploring on the Internet to gather as much information as possible and to analyse them. Using those sources will be part of my experiences, which will be involved in autoethnography as a result. Once I start to collect information, I will take screenshots and take notes on my laptop to make my research process easier. This activity enables me to analyse with enough information without impatience, which connects to reliable results.

To conduct my research, I would like to build up the schedule for my research process. What it is possible to clarify the tasks are;

– Determining my DA which platforms am I going to use

– Gathering as much information as possible with the sources

– Taking notes on how I feel and what I find through searching activity

– Taking notes about how other people think of the media niche

– Taking action to know how other people think of my research

This is my schedule in order to conduct those tasks.

The Gantt chart of my research process

This schedule is not enough to complete my project and this is just a plan by the date of my pitch. The more I start to research, the easier it is to occur many facts that I may consider to change plans so I would like to keep the flexibility in my mind.

References:

Ellis, C, Adams, T.E, and Bochner, A.P 2011, ‘Autoethnography: An Overview’, Forum: Qualitative Social Research, no. 1, viewed 6 August 2020, <https://www.qualitative-research.net/index.php/fqs/article/view/1589/3095>

Hogan, A 2019, ‘How crime dramas influence perception of crime ‘, BUTTER UNIVERSITY, viewed 20 August 2020, <https://digitalcommons.butler.edu/cgi/viewcontent.cgi?article=1463&context=ugtheses>

Merriam, Sharan B. Tisdell, and Elizabeth J. 2016, Being a Careful Observer, in Qualitative Research: A Guide to Design and Implementation, Jossey-Bass: San Francisco


Rhineberger-dunn, G, Briggs, S & Rader, N 2016, ‘The CSI Effect, DNA Discourse, and Popular Crime Dramas*’, Special Issue: Gun Politics, vo. 98, viewed 20 August 2020, <https://onlinelibrary.wiley.com/doi/full/10.1111/ssqu.12289>

Furie : Autoethnography and Self-reflexivity

Furie is a Vietnamese action movie and the central theme is the maternal affection and the strength of mother while there are many cultural components.Although the main theme that is love is similar to Love for Sale which I watched and wrote a blog last week on the aspect of focusing on family, both films have totally different angles, structures, and storytelling to deliver the messages to the audience. On this week’s blog, I keep Self-reflexivity in my mind to analyse Furie.

Furie (2019), image, VNEXPRESS (https://vcdn-english.vnecdn.net/2019/05/08/haiphuongngothanhvan2155636092-6465-5100-1557311436.png)

Self-reflexivity is related to autoethnography which is defined as “Autoethnography is an approach to research and writing that seeks to describe and systematically analyze personal experience in order to understand cultural experience” (Ellis, Adams, and Bochner 2011). The relationship is explained as “The concept and method called auto-ethnography is an attempt at practicing this self-reflexivity by having a closer look at one’s own longings and belongings. This means the auto-ethnographer places the self within a social context by connecting the personal and the cultural.” (Alsop 2002). Recognising and understanding this point, it is possible to analyse Furie effectively.

What I would like to highlight from Furie using self-reflexivity is three points:

  1. the scene Hai who is the main character and mother told about to be strong to her daughter, Mai
  2. about the urban city that appeared in the middle in Furie
  3. the fact they did not use guns until the end of the story

The first point is that one of the scenes gave me strong impressions. When Hai told Mai to not feel scared and to be strong, I personally felt sorry for Hai because the message came from her hurt past. I analyse Hai as she holds many responsibilities and heavy burdens to protect her daughter. Putting me in Hai’s position and imagining how she has grown up and how it has affected her life is a kind of self-reflexivity even though this is all about feelings not cultural aspects.

The second point involves cultural aspects. The urban city in Vietnam is a core place for Furie and the buildings and the townscape reminds me of Tokyo because there are crowded people and most buildings are lighted up even in the night time. This recognition comes from my personal experiences and knowledge that Tokyo never is silent in the night time. Surprisingly, there are other students that talked about the same scenes even though they are not Japanese. This fact that Tokyo has this kind of stereotype can be important for understanding with autoethnography.

The last point is that they did not use guns for fighting until the end of the film. I did not realize and I did not have doubts about that until I found one tweet. The tweet made me aware of Asian action films have fighting scenes with their fists basically unlike American films. Live-tweeting activities gave me a new angle of analysing as well as new discoveries by sharing everyone’s opinions. In addition, I analyse the reason why they did not use guns is that fighting with their fists can make the scene more aggressive and serious rather than using guns.

Satomi (2020), Twitter( https://twitter.com/0810satomi/status/1293355289329057792?s=20)

At the end of this blog, I would like to mention the ending of Furie. I personally take facts that the style of ending which resolves everything and Hai and Mai could back to their happy life is an ideal ending. While when we watched Love for Sale last week, there were many arguments that criticised the ending, most people did not argue about the ending for Furie. So I consider everyone to prefer positive and clear endings as ideal even if we have different backgrounds and experiences.

References:

Alsop, Christane, K 2002, ‘Home and Away: Self-Reflexive Auto-/Ethnography’, Forum Qualitative Social Research, vo.3, no.3, viewed 14 August 2020, <http://www.utsc.utoronto.ca/~kmacd/IDSC10/Readings/Positionality/auto-eth.pdf>

Ellis, C, Adams, T.E, and Bochner, A.P 2011, ‘Autoethnography: An Overview’, Forum: Qualitative Social Research, no. 1, viewed 6 August 2020, <https://www.qualitative-research.net/index.php/fqs/article/view/1589/3095>

The field site of Crime Dramas

On this week’s blog, I would like to think about the field site of my media niche which is crime dramas. Before beginning to narrow my project, let me review why crime dramas are related to my project in the aspect of ethnography. What I point out is why people like to watch crime dramas even though there are many miserable scenes and negative emotions are left basically. As I mentioned in my last blog, exploring the point is very interesting and can provide a new angle of enjoying crime dramas.

Considering the big point, I will discuss the field site on this blog. To determine the field site, searching on the Internet is a necessary method. Airoldi (2018) argued that there are two main conceptual distinctions for searching, that are navigational searches and research searches. While both searches have effective advantages, research searches are beneficial at this time due to the feature. According to Airoldi’s definition (2018), research searches are finding documents that you want to get information by searching with related terms/phrases rather than going through specific documents directly. These methods that use the Internet are called virtual ethnography and it is argued:

“this approach can be extended to the study of mass media spaces and imagined spaces”.  

Burrell, J 2009

Finding as much related information as I can is important at this stage so I picked up research searches.

What I expect to get the ethnographical ability by doing research searches is the extent of my experiences. As Hammersley (2017) summarised ethnography as a wonderful excuse to spend adventure time with serious intellectual work, using the Internet can provide me much information with clues to think about the depth.

So what is the field site for this project? I would like to focus on two different types of Japanese Crime dramas/animes yet I do not choose specific ones. The reason why I choose “Japanese crime dramas” is because its culture will be the first step to explore as I am the one who has its cultural background. Also using two different types can see the comparisons at the aspect of the intents by producers. 

However, there are few fields that relate to crime dramas/anime on the Internet unfortunately so I have to think about what can be field sites. Even though they have official websites and some SNS accounts such as Twitter and Instagram so those accounts are part of field sites.  In addition, collecting data that talk about Japanese crime dramas/animes on the Internet can be a field site because those Japanese crime dramas/animes have not only Japanese fans but also international fans.

Mind-map for the field site of Crime Dramas/Animes

This is one example of foreigners talking about Japanese crime dramas. Adam (2014) wrote his favorite Japanese crime dramas on his blog. I reckon that information has ethnographical pieces and will be important field sites.

Unfair (2016), image, eiga.com (https://eiga.k-img.com/images/buzz/56173/main_large.jpg?1456386827)

What I should consider when I handle this project is my own position. Acknowledging my own position to not intervene is a necessary point for the researcher. For this point, it is mentioned that “The ethnographic authority involves the problems of unequal power relations between the research and the people, colonial legacy and feminist critique” (Uddin 2011).

At the end of this blog, I have to mention whether there are scholars who are talking about this project. According to my research, there are few scholarly documents that talk about crime dramas. Even if there are some, the document focuses on America not for Japan. So it is difficult to find academic resources but I really want to find them to work for my project. 

In the next blog, I am going to use specific Japanese dramas/animes with academic documents.

References:

Airoldi, M 2018, ‘Ethnography and the digital fields of social media’, International Journal of Social Research Methodology, vo. 21, viewed 13 August 2020, <https://www.tandfonline.com/doi/full/10.1080/13645579.2018.1465622>

Burrell, J 2009, ‘The Field Site as a Network: A Strategy for Locating Ethnographic Research’, SAGE Journals, 18 February, viewed 14 August 2020, <https://journals.sagepub.com/doi/abs/10.1177/1525822X08329699>

Hammersley, M 2017, ‘What is ethnography? Can it survive? Should it?’, Ethnography and Education, vo. 13, viewed 13 August 2020, <https://www.tandfonline.com/doi/full/10.1080/17457823.2017.1298458>

Uddin, N 2011, ‘Decolonising ethnography in the field: an anthropological account’, International Journal of Social Research Methodology, vo. 14, viewed 14 August 2020, <https://www.tandfonline.com/doi/full/10.1080/13645579.2011.611382>

Love for Sale: autoethnography and analysis of culture

Love for Sale which is made in Indonesia and is a romantic comedy movie. To analyse and see the depth of this movie, it is necessary to understand the context behind the Asian culture as well as the concept of autoethnography. Ellis, Adams, and Bochner (2011) defined autoethnography as an approach to research and writing that seeks to describe and systematically analyze personal experience in order to understand cultural experience. They also mentioned that “this approach challenges canonical ways of doing research and representing others and treats research as a political, socially-just and socially-conscious act” (Ellis, Adams, and Bochner 2011). Considering those described points, it is possible to imagine that there are some messages and pieces that the movie wants to deliver to the audience.

I would like to analyse there are two points that can be indicated in the movie. The two points are what people work and what people fall in love with.  

Love for Sale (2018), image, JustWatch

Love for Sale has two main characters which are Richard A. Widjaja who is a single man and Arini Kusuma who tried to change Richard to a better person. They met through a paid online platform that has 45 days of contracts aiming to find a partner. As they unfold the story, you would find what I mean by two points. The people who were watching Love for Sale at the tutorial of BCM320 showed similar reactions at several scenes. First scene is related to the work that I indicated above. As it has been a common stereotype that Asia is strict for time especially at the workplace. Employees are required to be on time. There was one scene that reminded you of this cultural aspect. In addition, Love for Sale drew that employees were only engaged under strict boss and they did not give objections to their boss. To explain why there were those kinds of scenes, I found one article that mentioned Asian culture. About the aspect of the workplace in Asia, it is explained that “as employees have to respect authority and implement super-incumbent decisions, they are reluctant to challenge the status quo and question a manager’s decision”  (Xie & Paik 2018).

In addition to that, there was another scene that reminds me of Asian culture which was the scene of Arini doing his best for Richard. I saw many tweets that said Arini was too nice to him because she did not mind and gave her best. To support the scene, I would like to cite this statement that identifies the relationship between husband and wife in Asia. It said “Asian women respect their men a lot.  They prefer to deliver their right to make decisions to men. and they like to follow their husbands and treat them with a big deal of respect” (Asian Women 2020).

Although there are other characteristic scenes that represent the Love for Sale including camera work and storytelling, I personally focus on those two scenes that I mentioned before on this blog. I have an Asian cultural background so those scenes did not surprise me and I could imagine that other people who do not have the background would have some thoughts at the same time. What I would like to highlight the point of autoethnography with Love for Sale is how to deliver messages including cultural backgrounds. Putting pieces of cultural stuff can be part of autoethnography and understanding the point will make sense to understanding the concept of autoethnography as well.

At the end of this blog, I would like to mention the ending of Love for Sale. Most people who watched the movie argued the ending was blurred and did not make sense. Stevens (2020) summarised romantic comedy is thought to be essentially calculating. However, it is not possible to say Love for Sale follows this definition because the ending leaves some room for us to think about what they intend to do. So not all romantic comedies suit the definition and I reckon the contradiction has room to explore the concept of autoethnography.

References:

Asian Women 2020, The Truth About Asian Women, Asian Women, viewed 7 August 2020, <https://asian-women.biz>

Ellis, C, Adams, T.E, and Bochner, A.P 2011, ‘Autoethnography: An Overview’, Forum: Qualitative Social Research, no. 1, viewed 6 August 2020, <https://www.qualitative-research.net/index.php/fqs/article/view/1589/3095>

Love for Sale (2018), JustWatch, image, viewed 7 August 2020, <https://images.justwatch.com/poster/71954458/s592>

Stevens, K 2020, ‘Romantic comedy and the virtues of predictability’, New Review of Film and Television Studies, vo. 18, viewed 7 August 2020, <https://www.tandfonline.com/doi/full/10.1080/17400309.2019.1664059>

Xie, G & Paik, Y 2018, ‘Cultural differences in creativity and innovation: are Asian employees truly less creative than western employees?’, Asia Pacific Business Review, vo. 25, viewed 7 August 2020, <https://www.tandfonline.com/doi/full/10.1080/13602381.2018.1535380>

My Media Niche – Crime Dramas

It is obvious that crime dramas including reality and fiction have been popular in the world and this is my media niche. In this developed technology life, most people can watch any crime dramas even if the dramas are made overseas because they can enjoy them with subtitles via Internet platforms such as YouTube and Netflix. There are many crime dramas on Netflix and there are some articles that introduce the best crime dramas to recommend to the audience. 

I am one of the people who like to watch and have interests in crime dramas. I have grown up with them and my interests have changed as I get older. My current interest is why crime dramas are popular, and I would like to quote one sentence which may help to answer my question;

Their primary purpose is to provide entertainment, rather than to educate, research suggests that people learn about crime from watching television

Rhineberger-dunn, Briggs & Rader

According to this sentence, the aim of releasing crime dramas are connecting entertainment and the danger of crimes. To support this sentence, it is possible to see the actual case which is Detective Conan also known as Case Closed.

Case Closed on Netflix (Case Closed | Netflixwww.netflix.com › title)

This is Japanese crime anime and has numerous fans in the world, not only Japanese and there are some English articles talking about why the anime got success, and you can find some videos that mention the anime on YouTube.

YouTube: Conan Calls Out Detective Conan – CONAN on TBS (https://youtu.be/EstNcJOQRzI)

While creating anime about crime looks sensitive, it is true that the anime has got success  so providing entertainment which is the purpose of creating crime dramas makes sense. They can watch the anime on Netflix with subtitles of five languages. Also, their fans like to share information and talk about it on Twitter. Those communities are due to the development of the Internet and this point can be one of the biggest differences between the past and the current.

So how will this fact be connected to ethnography?

Although it is mentioned that the definition of ethnography is not only one, Hammersley (2017) summarised as it is a wonderful excuse to spend adventure time with serious intellectual work. Considering this definition, the ethnography at the aspect of crime dramas can be the point of delivering crime stories with entertainment. Is that all the reasons for releasing many crime dramas? Unfortunately, it is difficult to persuade me with the reason because I have the kind of suspicions that whether the purpose of crime dramas reach the audience, and if they understand the context. This question works for me as well. I can not clarify the reason why I like to watch crime dramas. If I can provide it, it is a potential curiosity that makes me think about why people make serious mistakes, why people can not avoid the worst ending, and why those crime dramas are created. I believe those my curiosity can be common to others who enjoy crime dramas, and this website which is CineVue summarised four points of why audiences watch crime dramas and find its interests.

They said;

– Audiences can learn about famous historical cases

– They include a creative long-form type of storytelling

– Crime dramas are very informative

– There’s always an interesting mystery or plot twist 

Those points cover my reasons but I hope there are other reasons that can connect to ethnography study. While this topic is blurred at this stage, I will work this media niche to make my understanding deeper and explore the relationships between crime dramas and ethnography.  

References:

Hammersley, M 2017, ‘What is ethnography? Can it survive? Should it?’, Ethnography and Education, vo. 13, viewed 6 August 2020, <https://www.tandfonline.com/doi/full/10.1080/17457823.2017.1298458>

Rhineberger-dunn, G, Briggs, S & Rader, N 2016, ‘The CSI Effect, DNA Discourse, and Popular Crime Dramas*’, Special Issue: Gun Politics, vo. 98, viewed 5 August 2020, <https://onlinelibrary.wiley.com/doi/full/10.1111/ssqu.12289>

Reflection of the project: What are the differences between the Australian and the Asian studying environment?

What I have learnt through this project makes me change how to think and manage research projects. When I decided on my project theme, I could not think about the process of undergoing the project as well as methods to collect data. Also, I did not know both quantitative methods and qualitative methods, and how these two different methods affect research projects. As I started to research my topic, I realised that keeping my research topic would be meaningful for both domestic and international students who take the subject BCM212. As a reason, many people know there are some cultural differences between Australian and Asia but they do not know how those differences affect student studying. When I got this information from my online survey, I was sure my project could help many students by researching and reporting the results.

However, I faced one trouble that it was difficult to get many enough respondents and participants for my interview. It took a long time to get many respondents and participants no matter how much I posted on Twitter to get enough numbers. When I found this trouble, I wondered what the problem was. The answer may be that the announcement was not enough to encourage the key audiences to join my project. Also, they could think that my project could be vague to understand what I would like to do. I found the cause of the trouble by analysing those reasons and this trouble is what I would like to reflect as a key to connect to the next step.

Fortunately, I could set the interview with three participants and I got the skill to take interviews even though the interviews were undertaken online. In addition, the practice of consent which can cover the aspect of ethics for respondents and participants gave me new knowledge to conduct research projects. Those skills are essential skills as a researcher which can work on any kind of job so getting to know how to manage that is the first step to be a professional. The results that I collected by online surveys and interviews worked positively and it was really interesting what we know about the cultural differences as stereotypes are not wrong. What I would like to say as my ending message is that getting knowledge of conducting research projects is my first skill to move on to the next step.

Opinion Piece of the project: What are the differences between the Australian and the Asian studying environment?

The aim of this topic- What are the differences between the Australian and the Asian studying environment? is to find out the differences in their classrooms between two cultures. The reason why I decided to conduct this topic is that it is difficult to explain how cultural differences affect the studying environment even though it is common that both cultures have different backgrounds. Also, revealing how university students think about those cultural differences is important to the key to thinking about this topic. The ultimate goal of this topic is finding those curiosity questions and gathering pieces of students’ experiences.

To make sure this topic is in the right way, I used an online survey as a way of collecting data. The online survey has multiple questions and open questions, which style makes collecting data clearly. In order to spread the online survey to the key audience who are taking the subject BCM212 at the University of Wollongong, I used Twitter . The reason why Twitter is effective way is that there are many people who discuss their studying on the Twitter feed with the hashtag #bcm212. Sharing the survey link on the Twitter feed can get many impressions and make the people aware of this topic. Once spreading the survey link on the Twitter feed,  I posted another Twitter message which is for asking the key audience to participate in the interview.  Setting up the interview is part of qualitative methods that enable this project to get more information deeply. In addition to these quantitative methods and qualitative methods, the cooperation of international students who are studying this subject BCM212 is necessary because hearing their experiences or stories about the cultural differences in their classroom is essential for this project. To meet those international students, Twitter is really helpful in terms of finding them with the hashtag #bcm212.

The most considerable limitation of this project is the amount of the key audience. While this project is targeting the people both domestic and international students who are studying BCM212 at the University of Wollongong, there are few international students who take the subject, unfortunately. So it is difficult to get as many samples as domestic students. Also, it is needed to scheme to engage the key audience of not only the international students but also domestic students as well. In addition to this point, it is necessary to think of the way to report the result of this topic because the sample number is not enough to assert the result as a general result. 

What I would like to highlight from the result of my project can be separated into three patterns. The first point is all of the respondents are confident that Australian education is proactive than the Asian. This fact was revealed by the result from two questions from the online survey which is; Do you think the Australian education style is more active in classrooms than the Asian education style? and Do you think the Australian teachers attempt to engage the class through activities?. No one answered “no” for both questions and most of them answered “yes” for the second question. In addition to this fact, 84% of the respondents answered that BCM212 has independent activities which make you proactive. Through these results, I can say people think Australian education is proactive. 

The second point is a kind of contradiction. Although the Australian education style is proactive, nearly half of the respondents feel embarrassed or hesitant to ask questions to their teachers, which was demonstrated by the result of the online survey. To get the reason why many people answered that, I asked my participants who joined my interview and are domestic students. They said that “if I asked the question and other people know the answer already, they would judge me as a fool” and “it depends on the teacher and the class. If the teacher is really strict or busy, I may not ask questions”. What it is possible to say from these reasons is the students think about how other people feel if they ask questions even though they have proactive learning motivations. Also, this point is the most interesting result through this research.

The last point is that the stereotype about the cultural difference between the Australian and the Asian is almost correct even though not all of the respondents experienced it. My survey showed 40% of the respondents experienced the cultural difference in their classroom. I would like to quote one story of my participant who came to Australia from Asia 3 years ago. She told me her own story. “I was surprised when I attended my first tutorial because many students are willing to say their own opinions and ask questions. This situation is unbelievable in my home country due to the traditional education tyle. Students tend to keep quiet and just follow their teachers, and they ask questions after class if they have. So it was difficult for me to engage the Australian class style at the beginning but now I am getting used to it.” This story can emphasise how cultural differences affect students in their classrooms. In addition, her experience can support the academic sources that I referenced in assignment 1 which was a research proposal blog post. Ron, Jed, Tiki, and Dominic (2018) summarised Asian students tend to primarily listen, show respect to their teachers, and follow the traditional manners in their classrooms. Yen and Teck (2017) mentioned Asian students try to be in harmony in class with minimal questions to their teachers. These academic status fit with the stereotype which my respondents had and back up her experience. What I would like to highlight through the whole project is cultural differences may affect students who have not gotten used to it yet but it does not mean negative. Having and sharing cultural differences are valuable assets.

Bibliography

Ron, H, Jed, H, Tiki,X & Dominic D, ‘Chinese Students’ Cultural and Behavioural Differences among Domestic and Internationally Oriented Educational Institutions’, International Journal of Psychology and Educational Studies, no. 10, viewed 14 March 2020, <https://files-eric-ed-gov.ezproxy.uow.edu.au/fulltext/EJ1213496.pdf>

Satomi, Twitter 19 April, viewed 3 June 2020, <https://twitter.com/0810satomi/status/1251814669297184768?s=20>

Yen, R & Teck, C 2017, ‘Understanding Asian Students Learning Styles, Cultural Influence and Learning Strategies’, Journal of Education & Social Policy, no. 1, viewed 17 March 2020, <http://jespnet.com/journals/Vol_4_No_1_March_2017/23.pdf>

What are the differences in classroom interaction between the Asian and the Australian in the study environment?

As an international student studying BCM at UOW, I have been curious as there are differences between Asia and Australia. When I attended lectures and tutorials for the first time, I realised that the Australian class style differs from my previous school in Japan. Although it is general knowledge that the learning style is different with Asia and Australia, I do not know the cause of differences in particular. Also, I found that this my question worth researching because other students think Australian education is more active than the Asian education by my Twitter poll.

When I had this, I decided to research the different styles of behaviour in their classroom. In addition, I consider there are some reasons or religional/traditional facts behind the cultural differences. So these curious points are the first step of my research.

The Asian Education Style

In order to get the information about that, I picked up a source that talks about the traditional Chinese behavioural studying style. According to Ron, Jed, Tiki, and Dominic (2018), Chinese students tend to primarily listen, show respect to their teachers, and follow the traditional manners in their classrooms. This kind of behaviour makes students hesitate to ask questions to their teachers in class. For Asian students who study abroad, it is concluded as this strict behaviour “has been especially damaging in arts and social studies majors where students are required to explore the subject under guidance, rather than be provided with ready-made answers”. (Ron, Jed, Tiki and Dominic 2018) The fact that stated common to other Asian countries. Many academics mentioned Asian students tend to be passive learners, and Yen and Teck (2017) summarised the dimension of behavioural characteristics, which revealed Asian culture is tend to collectivism and high power distance.

The students try to be in harmony in class with minimal questions to their teachers. To support this fact, only 20% out of 125 subject students seek help during the class, and other students seek help with other ways, which was gotten by the experiment conducted by Yen and Teck. Compared to Western culture including the UK, Australia and the United States with those features, the fact was totally contrasting.

Then, what about the Australian education style? 

As the way of student engagement in Australian universities, Morris and Tsakissiris (2017) mentioned it is used for more conversation or dialogue between instructors and students, which may be possible to introduce active learning principles into large first-year management units. Also, the structure of the semester suggests that “a variety of activities were designed that might appeal to a broad range of learning styles. It was for this reason that the lecture program was divided into three separate “categories” each occupying four weeks of a 13-week teaching period”. (Morris and Tsakissiris 2017) The three categories are based on conversational lectures, individual activities, and group activities. Morris and Tsakissiris (2017) conclude designing a blended learning experience there might be a greater chance that students will engage more in active learning. These strategies of teaching make students active, and opposite the Asian teaching style. 

Case study of Japanese and Australian classrooms

It is needed to explore the case study to demonstrate if those mentioned facts make sense to real life. It is possible to use one case study which was aimed at “Cultures of learning” with Japanese students and Australian students. This case study was carried out by exchanging students and studying in another country. Kumi, who is responsible for this experiment collected the voice of participating students to see what each country’s teachers are like. Japanese students evaluated as “Australian teachers were better at making the classroom enjoyable and involving all students in classroom activities. The only positive comment made by the Australian group about Japanese teachers was about their polite manner.” (Kumi 2010) The conclusion of this experiment was said it is not the purpose to determine which learning type is superior. The important thing is understanding cultural differences, which is one way of improving teacher effectiveness.

Conclusion

Since I have researched the different cultural studying styles, I found that the Asian culture is for showing respect for teachers, and the Australian culture is for activation independently. This research results in issues to UOW students especially for BCM students. Although the case study was not conducted in Wollongong, UOW has international students and BCM is studying communication using media so it is important to understand the cultural differences to communicate with each other. Also, the Asian students who study BCM at UOW need to shift to the Australian studying style because it is possible to experience and get the skill of active studying style.  On the other hand, it is also important to understand both aspects of cultural styles for living in this current global society for all BCM students.

References:

Kumi, K 2010,’Exploring ‘Cultures of Learning’: A case of Japanese and Australian classrooms’,Journal of Intercultural Studies, viewed 11 March 2020, <https://www-tandfonline-com.ezproxy.uow.edu.au/doi/pdf/10.1080/07256860120037445?needAccess=true>

Morris, M & Tsakissiris, J 2017, ‘The Importance of Context in Management Education’, Journal of Learning Design, no.1, viewed 14 March 2020, <https://files-eric-ed-gov.ezproxy.uow.edu.au/fulltext/EJ1127722.pdf>

Ron, H, Jed, H, Tiki,X & Dominic D, ‘Chinese Students’ Cultural and Behavioural Differences among Domestic and Internationally Oriented Educational Institutions’, International Journal of Psychology and Educational Studies, no. 10, viewed 14 March 2020, <https://files-eric-ed-gov.ezproxy.uow.edu.au/fulltext/EJ1213496.pdf>

Yen, R & Teck, C 2017, ‘Understanding Asian Students Learning Styles, Cultural Influence and Learning Strategies’, Journal of Education & Social Policy, no. 1, viewed 17 March 2020, <http://jespnet.com/journals/Vol_4_No_1_March_2017/23.pdf>

Where I'm From

“Where I’m From” is what creates ME and what inspires ME in my life.

Those components are the relaxed space where no one can involve, the nature where I lay down, and the music inside of me. They may not be special things but it does make sense to me.

To express my feelings that disable me to explain with words, I always think of imagining what my heart feels, think, and move. So, I picked up some pieces of what I often stay in and cherish NATURAL where I spend my life for this work.

My Curiosity

My Cuirosity Topic

Do you interrupt your teacher when you have some questions in the class?

This is the question of my curiosity. My curiosity topic is the differences in classroom interaction between Asian and Australian in the study environment.

My home country, Japan, does not make action basically. I think these types of behavior is typical behavior in Asia. Most students just listening to their teacher and keep quiet in the class and most teachers bring the class materials and just do their work. These actions are based on Asian culture.

So what about Australian culture?

What I have felt things by attending the lecture and tutorial at UOW is that it is normal things for students to ask questions or take action during the class. Also, it seems to be natural to give own opinions and discuss each other. In addition, most teachers bring their class materials with creativity not only teaching formally. I think this style is based on Australian culture as well.

How to Research

To confirm these differences, I will research some sources which have informations about each culture related to the study environment. Also, I use a survey to ask UOW students about their behavior in their class, which able to hear the actual voice that they think of that. This survey has some small questions such as “Where are you from?”, “How does your teacher bring the class materials to classrooms in your country?”, and “How often do you interrupt your teacher in your classroom?”.

For my assignment, I will use those results from my survey and the facts that I find from sources. I’m sure I will find the results of this research at the end of this project. So I am keeping curious about my topic and think of WHY.